Reviews

***** Written in 1997, US composer Morten Lauridsen’s Lux Aeterna was immediately hailed as a classic when it was first performed. Listening to this recording from British choir Polyphony (accompanied by the Britten Sinfonia), it’s not hard to understand why. Marrying old-world texts with contemporary choral tradition, this work has an immediacy and emotional power that’s simply spine-tingling in...
I had seen the name of Morten Lauridsen with growing frequency over the past few years; he seemed to be attracting an ever-larger reputation among choral circles for a body of music that singers love to perform. But even though as long ago as 1998, I had noted a CD of his Lux aeterna and other choral works garnering a Grammy nomination, and several other recordings of his music have since emerged...
'Layton and company have here produced the finest I've heard among several excellent collections of Lauridsen's work. None are quite as exquisitely nuanced or sung with such glowing vocal sheen as this. Clear and shimmering sound, plus Hyperion's usual complete and user-friendly booklet, make it all the more attractive. No committed choral fan or singer will ever regret letting Lauridsen into his...
'Stephen Layton's feel for the inner line and structure melts the heart, as does the impeccable, unforced singing of Polyphony. Their music-making remains in heavenly realms throughout the virtuoso Madrigali: pure choral gold'
Conventional choral wisdom suggests that the American Morten Lauridsen is a one-work wonder and certainly O magnum mysterium is wonderful, with vocal lines that arch out like fan vaulting. With this new recording Stephen Layton and Hyperion are clearly out to prove that Lauridsen's gifts are not just for Christmas but for all seasons too … now the jury is back: the choir and Layton have acquitted...
'The music has freshness and an affecting emotional pull to it that explains its popularity with singers and audiences across the pond. Stephen Layton's Polyphony, whose recent recordings of Pärt, Tavener and others have been revelations of choral singing, brings a comparable firmness, tonal opulence and refinement to this new repertoire, which will undoubtedly gain new admirers as a result'