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Herbert Howells' Requiem must be one of the most beautiful and searingly moving works in the entire English sacred musical canon. Written in the early 30s but not released until 1980, it is inextricably linked to untimely youthful death; Howells modelled it on Walford Davies' A Short Requiem of 1915, written in memory of those killed in the war. Later, he drew heavily from it for Hymnus Paradisi...
I’d scarcely sent off my review of the fine recording of the Howells Requiem by Paul McCreesh than this new Hyperion disc arrived on my doormat. By an odd coincidence both works were recorded in the same venue: the Lady Chapel of Ely Cathedral. Interestingly, both recordings are produced by the same man, Adrian Peacock, though different engineers were employed on each project.
I’m not sure I’ve...
Herbert Howells (1892-1983) perfectly understood the way that liturgical music could stir the spirits. His two Services for Gloucester and St Paul’s Cathedrals, magnificently exploit ecclesiastical acoustics while bringing to the canticle texts a fluid lyrical gift, an imaginative harmonic spectrum and a sense of occasion. The disc takes ts title from the sparer, introspective Requiem, to which,...
I may not always like the music, but never has a recording of choral music conducted by Stephen Layton failed to move me. This one is no exception, and in this particular case, the music happens to be admirable. The choral works of Herbert Howells (1892-1983), including his Requiem, are well represented in the recording catalogues and very well served. But even though the market may be saturated...
This is a fine programme for Howells fans, eschewing the 'Coll. Reg.' canticles and the organ works, and including the lesser-heard Salve Regina and the Hymn for St Ceciliaas well as the 'Gloucester' canticles. The Requiem itself, like the other unaccompanied pieces here, is recorded in the gorgeous reverberation of the Lady Chapel at Ely Cathedral. Those works with organ are done at Lincoln...
Will only male choirs do for Howells's sacred music? So previous commentators have insisted, though only the most rigid epigone would say the same for the cantatas of Bach. By the same token, well-enunciated American English isn't out of place, especially when Massachusetts-based Gloriae Dei Cantores sing a work written for Washington National Cathedral - a late and unfinished Te Deum, at that,...